Théâtre Francis-Gag Reopens: Theater, Poetry, and Big Emotions in the Second Half of the Season

After a period marked by a few setbacks, the Théâtre Francis-Gag is back in full swing, and it does so with contagious enthusiasm. The TFG team kicks off the new year with a clear promise: an intense, diverse second half of the season, packed with real artistic “gems.” The message is simple: mark your calendars… and don’t wait too long, tickets sell fast.

Between March and April, the theater offers a journey that spans satire, one-woman shows, family theater, puppetry, live poetry, and literary classics, confirming itself as a lively, curious, and deeply accessible cultural space.

The season opens with “J’aurais voulu être Jeff Bezos” by Arthur Viadieu, on Tuesday, March 3 at 8:00 PM. Acclaimed by critics at the Avignon Festival 2024, the show is a satirical, festive cabaret that examines the Amazon empire and its founder without moralizing, blending alexandrines, vaudeville, absurdity, and ultra-realism. A sharp and surprisingly light reflection on power and the pitfalls of our time.

On Saturday, March 7, the theater also welcomes younger audiences (and adults alike) with “Vilain vilain monstre”, a show combining shadow theater, puppets, and circus elements. Through the eyes of young Mimi, the audience enters a world of fears, questions, and imagination, where the “monster” becomes a delicate metaphor for childhood anxieties.

On Wednesday, March 18, “Merlin le Désenchanteur” revisits myths with humor. Awarded at the Scènes d’Automne Festival 2024, this creation reimagines Merlin as a visionary scientist, combining commedia dell’arte style and contemporary irony to question the legend and our modern world.

Comedy returns on Saturday, March 21 with “Craquage” by Marion Mezadorian, a beloved hit of the Avignon and Chainon Manquant festivals. This one-woman show is both hilarious and moving, featuring fifteen characters whose stories erupt after holding back emotions for too long. A liberating celebration of speaking out, laughing, and sometimes letting go.

March 28 brings an intimate moment with “Et maintenant, j’attends”, a live poetry performance combining voice, accordion, and cello. A delicate and deeply emotional experience where music and words blend seamlessly.

April begins with magic and creativity: “Byba Youv, la sorcière qui rêvait d’être une chèvre”, on Wednesday, April 1, presents a world of lost objects, puppets, and spells. The show is accompanied by a creative workshop for children and parents, allowing participants to make their own “witch nose” and immerse themselves in Byba Youv’s universe.

On Thursday, April 2, the theater pays tribute to literary heritage with “La vie devant soi” by Romain Gary, in a theatrical reading open to the public. Finally, on Saturday, April 11, “Les 7 dernières balades de Mémé Jeanine” closes the season with a poetic and visual story combining narrative and puppetry in a double performance (afternoon and evening).

Alongside its artistic program, TFG maintains its commitment to accessibility: €5 tickets for students, participation in the Pass Culture for youth aged 15–20, and reduced rates for families, groups, and people with disabilities. A theater that is open, inclusive, and deeply rooted in the city’s cultural life.

Through laughter, reflection, imagination, and poetry, Théâtre Francis-Gag once again proves that the stage is a place for connection and discovery. A season to enjoy fully, without rush… but don’t wait too long.