Events for the Weekend in Antibes<\/p>\n
The Postcard Museum presents a temporary exhibition of antique postcards depicting cats. Domestic animals have often been used to illustrate postcards. Among the most frequent are cats. Photographers and illustrators have provided numerous images, from large cats sleeping on a comfortable cushion to kittens. These illustrations are found on postcards and wall calendars distributed by mail carriers. In both cases, these images remain on display for several months (especially for calendars). We must admit that these naturalistic scenes have a calming, even beneficial effect on the viewer. Outside of any religious or political ulterior motives, the presence of animals accompanying our daily lives is reassuring.<\/p>\n
https:\/\/museedelacartepostale.fr\/<\/a><\/p>\n In 2018, the museum presented a comprehensive thematic retrospective that surprisingly excluded sports. It would be a shame to continue this omission. The Olympic year, 2024, corrects this injustice. Here is again this sarcastic, subversive genius, amusing, brilliant. Remaining, as sports love to cite records, the humorous cartoonist who has sold the most albums worldwide with his title “Black Humor and Men in White.” A gold medal, then. Coluche would have enjoyed it, undoubtedly throwing him a sharp and invigorating “Sportivi!!”<\/p>\n INFO: +33 (0)4 92 90 54 29 \/ 30<\/p>\n The Antibes Tourist Office is hosting an exhibition of photographic works from September 2nd to 27th, highlighting the works of two photographers: V\u00e9ronique and Fr\u00e9d\u00e9ric Laur\u00e8s.<\/p>\n V\u00e9ronique’s photographic approach invites us to discover the waves of Cap d’Antibes, true jewels and heritage. Her unique sensitivity permeates each of her works, making the invisible visible. Her gaze is a vibrant testimony to her communion with the element and an invitation to travel for the viewer.<\/p>\n https:\/\/www.fredericlaures.com\/<\/a><\/p>\n In the heart of old Antibes since 1989, the Antib\u00e9a Theater is celebrating its 35th anniversary this year.<\/p>\n The most important events in September:<\/p>\n From September 20th to October 6th: “The Iliad… The Assault,” a work by Homer adapted by Bruno Marques and directed by Jean-Fran\u00e7ois Buisson https:\/\/www.theatre-antibea.fr\/<\/a><\/p>\n Tuesday, July 23rd: \u201cPresentation of the 33rd Edition and Concert\u201d CAPPELLA DI SAN BERNARDINO \u2013 18:15 Presentation of the Festival by Philippe DEPETRIS, artistic consultant, and a free concert; \u201cMusical Moments of Heritage\u201d \u201cLatin Inspirations\u201d – Philippe DEPETRIS, flute, Pascal POLIDORI, guitar FREE. Registration via email is required (limited seats)<\/p>\n Saturday, September 7th: \u201cThe Sacred Art Festival in the City\u201d CHIOSCO PIAZZA NAZIONALE – ore 20:00 \u201cIn the colors of Venice and Italy\u201d Ensemble \u201cNuova Cameristica di Milano\u201d Gabriele OLIVETI, Alessandro VESCOVI, violins Chiara OLIVETI, viola, Alberto DRUFUCA, cello Luigi CORRENTI, double bass Works by Vivaldi, Albinoni, Galuppi, Tartini, Puccini FREE concert without reservation, limited seats<\/p>\n https:\/\/www.festivalartsacre-antibes.fr\/<\/a><\/p>\n From June 30 to September 27<\/p>\n The Picasso Museum offers a unique experience: presenting twelve masterful works by Joan Mir\u00f3, from one of the world’s most important private collections, the Nahmad Collection. Mir\u00f3 feels at home here, as a guest in his friend’s house. The friendship that, since their first meeting in Paris in 1920, linked the two artists for life was also a ferment of their creative passion. The rooms host a single work, sometimes two. Contrary to traditional exhibitions that gather and associate, this is no longer about accumulation but about concentration and reception of the object in its singularity for contemplation and interpretation.<\/p>\n Note: From June 4 to 29, 2024 Installation of the summer exhibition and closure of the first floor. Discounted entrance with access to the second floor, ground floor, and terrace.<\/p>\n INFO: +33 (0)4 92 90 54 20<\/p>\n As a maritime and frontier city, Antibes has long had to defend itself, and much of its heritage is directly inherited from this context. The Saracen towers, the old Grimaldi castle, Fort Carr\u00e9, the walls from Saint-Jaume bastion to Saint-Andr\u00e9 bastion, are markers in our urban planning of a violent reality, fear of assaults, looting, bombings, in a word, war. But what is war? Fort Carr\u00e9’s programming this year offers perspectives, reflections on commitment, the duty of memory, and the traumas it generates: thematic visits, workshops, museum caf\u00e9s for discussions, a cinema visit around Roberto Rossellini’s “Pais\u00e0,” and a theatrical walk in collaboration with the Antibes Conservatory of Music and Dramatic Art.<\/p>\n INFO: +33 (0)4 92 90 52 13<\/p>\n
\nSportivi!! Claude Serre<\/strong><\/h4>\n
\nCross-eyed views on the Cap d’Antibes<\/h4>\n
\nAntib\u00e9a Theater<\/h4>\n
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\nProduction: Antib\u00e9a Comedy of Antibes
\nPerformances: Friday and Saturday at 8:30 PM \/ Sunday at 4:00 PM<\/p>\n
\n33rd Sacred Art Festival<\/strong><\/h4>\n
\nJoan Mir\u00f3. Masterpieces from the Nahmad Collection<\/strong><\/h4>\n
\nWithout all the Ceremony<\/strong><\/h4>\n
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